Some thoughts about my painting

My art serves as a vivid testament to my inner world, striving to make the intangible visible through the transformative medium of painting. This text, though concise, is an earnest attempt to articulate what resonates deeply within me as an artist. Each stroke of my brush, every hue I select, and the images I conjure, are reflections of my thoughts, feelings, and experiences, encapsulating the complexity of my internal landscape.

At the heart of my artistic philosophy lie three essential terms: Design, Tradition, and Innovation.

**Design**

Design has always held paramount importance in my practice—not merely as a technical skill but as a profound language of expression. It’s the structure, the intention, and the execution behind every piece that captivates me. While I recognize my limitations in various disciplines—I am unmusical, un-mathematical, and uneducated in many conventional senses—artistry transcends mere skill. The notion that “everyone is an artist” finds its limitations when we uphold standards of craftsmanship and design. To me, style and substance are inseparable; the manner in which something is conceived is just as critical as the idea itself. Each painting is a conversation between technique and emotion, where design serves as the voice that communicates the nuances of my inner dialogue.

**Tradition**

Tradition, in my eyes, is not a rigid framework to be worshipped or idolatry to be overthrown; rather, it is a rich tapestry I can engage with creatively. I revel in the opportunity to play with the past, drawing inspiration from historical figures like Ribera, Goya, and Dix, whose legacies provide invaluable lessons on technique and approach. It would be presumptuous to place my work on par with such masters, yet their influence is undeniable. In their exploration of emotion and technique, I find a grounding that informs my own journey. I often seek my role models in the past, looking for guidance from artists who were profoundly engaged with the world around them, rather than in contemporary figures who sometimes get overshadowed by a sea of mediocrity. Among the multitude of artists today, there are indeed geniuses—talented individuals whose brilliance is overshadowed by a myriad of uninspired creators, actors posing as artists, and copyists lacking originality. The challenge lies in distilling the genius from the noise, identifying the works that invite deeper engagement and command intellectual curiosity.

**Experimentation**

Embracing a spirit of experimentation has been my guiding principle and an integral part of my artistic identity. I have never confined myself to a singular style; the idea of a “typical Campos” simply does not exist. I remain open to the discovery of new visual stimuli that spark my imagination and compel me to translate spontaneous ideas into tangible images. The beauty of my practice lies in its diversity: shapeless and colorful compositions exist side by side with more traditional pieces that echo the techniques of the Old Masters. Each work emerges as an authentic expression, devoid of camouflage behind preconceived notions of style. What unites them is a distinctive handwriting—a mark of my unique voice—underscoring my commitment to authenticity and my relentless pursuit of making each piece “right” in its own context.

In this ongoing exploration of my inner world, my art becomes a dynamic dialogue where design, tradition, and innovation intersect. It offers a glimpse into my psyche, inviting viewers to join me in unraveling complex emotional narratives and celebrating the multifaceted nature of creativity. Ultimately, my paintings reflect not only who I am as an artist but also the broader human experience, resonating with all those who engage with my work. In this shared moment, art transforms into a bridge between the self and the other, the past and the present, making the unseen visible through color, form, and emotion.

In the following I will be adding little essays on selected paintings. Have fun reading!